January 28, 2004

Age: 17 years 5 months 30 days

My movie will have inner conflict. I like it better when the person develops as the plot also develops. I don’t need all the hype, special effects, and plot twists to make a good movie. The characters can have inner struggles, and that’s it. Like TSAR (The Sun Also Rises).  The plot may lead nowhere and people say that nothing happened, but the real development takes place in the character.

What’s never been done before in cinema history? Maybe go back to silent films.


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